Nikiforos Tsekouras expressed his love for painting from the age of two, transferring everything of interest to every surface, tables, walls, floors, furniture, etc. They were small stories or sketches of Cycladic statues, buildings (e.g., the Parthenon, museums, places we visited), animals, letters, numbers, etc. Often the canvas extended to his hands and body. He experienced everything at the limits…
From his two years of age, Nikiforos showed his love for painting, transferring every interest to every surface, tables, walls, floors, furniture, etc. These were small stories or sketches of Cycladic statues, buildings (e.g., the Parthenon, museums, places we visited), animals, letters, numbers, etc. Often, the canvas expanded onto his hands and body. He experienced everything on the edge of…
From his two years of age, Nikiforos showed his love for painting, transferring every interest to every surface, tables, walls, floors, furniture, etc. These were small stories or sketches of Cycladic statues, buildings (e.g., the Parthenon, museums, places we visited), animals, letters, numbers, etc. Often, the canvas expanded onto his hands and body. He experienced everything on the edge of…
Nikiforos Tsekouras expressed his love for painting from the age of two, transferring every interest to any surface, tables, walls, floors, furniture, etc. They were small stories or sketches of Cycladic statues, buildings (e.g., the Parthenon, museums, places we visited), animals, letters, numbers, etc. Often, the canvas extended to his hands and body. He experienced everything at the limits of…
From his two years of age, Nikiforos showed his love for painting, transferring every interest to every surface, tables, walls, floors, furniture, etc. These were small stories or sketches of Cycladic statues, buildings (e.g., the Parthenon, museums, places we visited), animals, letters, numbers, etc. Often, the canvas expanded onto his hands and body. He experienced everything on the edge of…
Since the age of two, Nikiforos has expressed his love for painting, transferring every interest onto various surfaces such as tables, walls, floors, furniture, etc. He depicted small stories or sketches of Cycladic statues, buildings (e.g., the Parthenon, museums, places we visited), animals, letters, numbers, etc. Often, the canvas extended to his hands and body. He experienced everything at the…
Since the age of two, Nikiforos has expressed his love for painting, transferring every interest onto various surfaces such as tables, walls, floors, furniture, etc. He depicted small stories or sketches of Cycladic statues, buildings (e.g., the Parthenon, museums, places we visited), animals, letters, numbers, etc. Often, the canvas extended to his hands and body. He experienced everything at the…
Nikiforos Tsekouras expressed his love for painting from the age of two, transferring everything of interest to every surface, tables, walls, floors, furniture, etc. They were small stories or sketches of Cycladic statues, buildings (e.g., the Parthenon, museums, places we visited), animals, letters, numbers, etc. Often the canvas extended to his hands and body. He experienced everything at the limits…
Nikiforos Tsekouras expressed his love for painting from the age of two, transferring every interest to any surface, tables, walls, floors, furniture, etc. They were small stories or sketches of Cycladic statues, buildings (e.g., the Parthenon, museums, places we visited), animals, letters, numbers, etc. Often, the canvas extended to his hands and body. He experienced everything at the limits of…