Argyro Karamouzi lives and works in Chalkida. In her visual practice, metal is chosen as a material for its durability over time and its ability to balance between strength and vulnerability. Her work draws on natural rhythms and explores the contrast and coexistence of fullness and void. Form is approached not as representation, but as an existential reference. Her participation in the exhibition “The Dwellings of the Self” constitutes an open moment of sharing her visual research.